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Arpeggio · G△7 · Guitar

G△7 arpeggio on guitar

The G△7 arpeggio is G – B – D – F♯ — chord tones 1 3 5 7. G△7 is the tonic Imaj7 of a major key, and any maj7 chord; its sound is bright, settled, at rest. Below, every G, B, D, F♯ on the fretboard is marked, with the root in gold. Press play to hear a one-octave arpeggio, or tap any note.

Visualizer

G△7 on the fretboard.

Guitar · standard tuning

eBGDAE123456789101112F♯GBDBDF♯GBGBDF♯GDF♯GBDBDF♯GF♯GBD
RootChord toneBeing played
Tempo100 bpm
Show
Sound

Play loops the arpeggio up and down one octave (switch Loop off for a single pass) in the position starting at fret 3. Tap any marked note to hear it. “Show” switches or combines the fretboard and keyboard; “Sound” picks the instrument you hear. Audio is synthesized in the browser.

Your next 10 minutes

Make G Major 7th part of your playing

Listen → play → apply
01

Map it slowly

Find G on string 6 at fret 3. Play string 6, fret 3; string 6, fret 7; string 5, fret 5; string 4, fret 4; string 4, fret 5. Use a relaxed position and release pressure between repetitions. String 1 is high E.

02

Make a short phrase

Play G – B – D – F♯ in quarter notes at 60 bpm. Repeat starting from B, wrapping back to G. Do not speed up until every attack is even.

03

Hear it in context

Alternate B and F♯ above a sustained G. These are degree 3 and 7. End a four-bar phrase on either one instead of always returning to the root.

Listen for this: G△7 has the colour “bright, settled, at rest”. Name the degrees as you play, so you can recognize the sound in another key rather than remembering only a shape.

Understand the sound

G△7: from a pattern to a musical choice

What gives G△7 its identity?

Compare the major seventh with the root. Their half-step proximity is especially exposed when placed next to each other; change the register to soften it.

Here the third is B, and degree 7 is F♯. Play G in the bass and compare these voices individually before combining them.

Turn the arpeggio into a melody

Try B – D – F♯ – G as quarter notes, then repeat the first note and omit the last. The second phrase uses the same harmony with a different shape.

Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.

Your guitar checkpoint

Start with G on string 6, fret 3. The next note B is on string 6, fret 7. Name both notes aloud before playing, then find the same two pitches in another octave.

Before moving on, close the diagram and name the notes: G · B · D · F♯. Then play a two-bar phrase from memory and leave two bars of silence.

On piano

G△7 on the keyboard.

G△7 arpeggio (G B D F♯) on a piano keyboard: every G in gold, the other chord tones outlined in amber
The same arpeggio on piano — open that page to hear it.

Reference

G△7 — chord tones & intervals.

Chord toneNoteInterval from G
1Gunison (0 semitones)
3Bmajor 3rd (4 semitones)
5Dperfect 5th (7 semitones)
7F♯major 7th (11 semitones)

Goes with: G Major (Ionian) (G A B C D E F♯). Voicings: G△7 voicings on guitar.

Take it to the bandstand.Practice Radio streams endless changes to play the G△7 arpeggio over through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

G△7 arpeggio FAQ.

What notes are in a G△7 arpeggio?

G – B – D – F♯. As chord tones: 1 3 5 7. Played one after another instead of together, that is the arpeggio.

What is a G△7 chord used for?

G△7 is the tonic Imaj7 of a major key, and any maj7 chord. Its character is bright, settled, at rest.

Which scale goes with G△7?

G Major (G A B C D E F♯) — the arpeggio is the skeleton of that scale, so practise them together.

How do I practise the G△7 arpeggio on guitar?

Start on the root G on the low E string at fret 3 and play E-string fret 3, E-string fret 7, A-string fret 5, D-string fret 4, D-string fret 5. Then play it descending, then in eighth notes with a metronome, then use it in a short phrase over a suitable chord.

Keep going

Major 7th arpeggio in every other key.

Same arpeggio on piano · Major 7th hub · chord-scale theory.

Other arpeggios from G