Map it slowly
Find G on string 6 at fret 3. Play string 6, fret 3; string 6, fret 5; string 6, fret 7; string 5, fret 5; string 4, fret 4. Use a relaxed position and release pressure between repetitions. String 1 is high E.
Arpeggio · G△9 · Guitar
The G△9 arpeggio is G – B – D – F♯ – A — chord tones 1 3 5 7 9. G△9 is a lush tonic chord in ballads; its sound is wide, luminous. Below, every G, B, D, F♯, A on the fretboard is marked, with the root in gold. Press play to hear a one-octave arpeggio, or tap any note.
Visualizer
Guitar · standard tuning
Piano
Play loops the arpeggio up and down one octave (switch Loop off for a single pass) in the position starting at fret 3. Tap any marked note to hear it. “Show” switches or combines the fretboard and keyboard; “Sound” picks the instrument you hear. Audio is synthesized in the browser.
Your next 10 minutes
Find G on string 6 at fret 3. Play string 6, fret 3; string 6, fret 5; string 6, fret 7; string 5, fret 5; string 4, fret 4. Use a relaxed position and release pressure between repetitions. String 1 is high E.
Play G – B – D – F♯ – A in quarter notes at 60 bpm. Repeat starting from B, wrapping back to G. Do not speed up until every attack is even.
Alternate B and F♯ above a sustained G. These are degree 3 and 7. End a four-bar phrase on either one instead of always returning to the root.
Listen for this: G△9 has the colour “wide, luminous”. Name the degrees as you play, so you can recognize the sound in another key rather than remembering only a shape.
Understand the sound
The ninth adds colour above a major-seventh foundation. Separate the upper voice from the bass and compare close and open spacing.
Here the third is B, and degree 7 is F♯. Play G in the bass and compare these voices individually before combining them.
Try B – D – F♯ – G as quarter notes, then repeat the first note and omit the last. The second phrase uses the same harmony with a different shape.
Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.
Start with G on string 6, fret 3. The next note B is on string 6, fret 5. Name both notes aloud before playing, then find the same two pitches in another octave.
Before moving on, close the diagram and name the notes: G · B · D · F♯ · A. Then play a two-bar phrase from memory and leave two bars of silence.
On piano
Reference
| Chord tone | Note | Interval from G |
|---|---|---|
| 1 | G | unison (0 semitones) |
| 3 | B | major 3rd (4 semitones) |
| 5 | D | perfect 5th (7 semitones) |
| 7 | F♯ | major 7th (11 semitones) |
| 9 | A | major 9th (14 semitones) |
Goes with: G Major (Ionian) (G A B C D E F♯). Voicings: see the four-note chord voicings in the chord library.
Take it to the bandstand.Practice Radio streams endless changes to play the G△9 arpeggio over through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.
▶ Open Practice RadioCommon questions
G – B – D – F♯ – A. As chord tones: 1 3 5 7 9. Played one after another instead of together, that is the arpeggio.
G△9 is a lush tonic chord in ballads. Its character is wide, luminous.
G Major (G A B C D E F♯) — the arpeggio is the skeleton of that scale, so practise them together.
Start on the root G on the low E string at fret 3 and play E-string fret 3, E-string fret 5, E-string fret 7, A-string fret 5, D-string fret 4, D-string fret 5. Then play it descending, then in eighth notes with a metronome, then use it in a short phrase over a suitable chord.
Keep going
Same arpeggio on piano · Major 9th hub · chord-scale theory.
Other arpeggios from G