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Arpeggio · G♭△7 · Guitar

G♭△7 arpeggio on guitar

The G♭△7 arpeggio is G♭ – B♭ – D♭ – F — chord tones 1 3 5 7. G♭△7 is the tonic Imaj7 of a major key, and any maj7 chord; its sound is bright, settled, at rest. Below, every G♭, B♭, D♭, F on the fretboard is marked, with the root in gold. Press play to hear a one-octave arpeggio, or tap any note.

Visualizer

G♭△7 on the fretboard.

Guitar · standard tuning

eBGDAE123456789101112FG♭B♭D♭D♭FG♭B♭B♭D♭FG♭FG♭B♭D♭B♭D♭FG♭FG♭B♭D♭
RootChord toneBeing played
Tempo100 bpm
Show
Sound

Play loops the arpeggio up and down one octave (switch Loop off for a single pass) in the position starting at fret 2. Tap any marked note to hear it. “Show” switches or combines the fretboard and keyboard; “Sound” picks the instrument you hear. Audio is synthesized in the browser.

Your next 10 minutes

Make G♭ Major 7th part of your playing

Listen → play → apply
01

Map it slowly

Find G♭ on string 6 at fret 2. Play string 6, fret 2; string 6, fret 6; string 5, fret 4; string 4, fret 3; string 4, fret 4. Use a relaxed position and release pressure between repetitions. String 1 is high E.

02

Make a short phrase

Play G♭ – B♭ – D♭ – F in quarter notes at 60 bpm. Repeat starting from B♭, wrapping back to G♭. Do not speed up until every attack is even.

03

Hear it in context

Alternate B♭ and F above a sustained G♭. These are degree 3 and 7. End a four-bar phrase on either one instead of always returning to the root.

Listen for this: G♭△7 has the colour “bright, settled, at rest”. Name the degrees as you play, so you can recognize the sound in another key rather than remembering only a shape.

Understand the sound

G♭△7: from a pattern to a musical choice

What gives G♭△7 its identity?

Compare the major seventh with the root. Their half-step proximity is especially exposed when placed next to each other; change the register to soften it.

Here the third is B♭, and degree 7 is F. Play G♭ in the bass and compare these voices individually before combining them.

Turn the arpeggio into a melody

Try B♭ – D♭ – F – G♭ as quarter notes, then repeat the first note and omit the last. The second phrase uses the same harmony with a different shape.

Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.

Your guitar checkpoint

Start with G♭ on string 6, fret 2. The next note B♭ is on string 6, fret 6. Name both notes aloud before playing, then find the same two pitches in another octave.

Before moving on, close the diagram and name the notes: G♭ · B♭ · D♭ · F. Then play a two-bar phrase from memory and leave two bars of silence.

On piano

G♭△7 on the keyboard.

G♭△7 arpeggio (G♭ B♭ D♭ F) on a piano keyboard: every G♭ in gold, the other chord tones outlined in amber
The same arpeggio on piano — open that page to hear it.

Reference

G♭△7 — chord tones & intervals.

Chord toneNoteInterval from G♭
1G♭unison (0 semitones)
3B♭major 3rd (4 semitones)
5D♭perfect 5th (7 semitones)
7Fmajor 7th (11 semitones)

Goes with: F♯ Major (Ionian) (F♯ G♯ A♯ B C♯ D♯ E♯). Voicings: G♭△7 voicings on guitar.

Take it to the bandstand.Practice Radio streams endless changes to play the G♭△7 arpeggio over through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

G♭△7 arpeggio FAQ.

What notes are in a G♭△7 arpeggio?

G♭ – B♭ – D♭ – F. As chord tones: 1 3 5 7. Played one after another instead of together, that is the arpeggio.

What is a G♭△7 chord used for?

G♭△7 is the tonic Imaj7 of a major key, and any maj7 chord. Its character is bright, settled, at rest.

Which scale goes with G♭△7?

F♯ Major (F♯ G♯ A♯ B C♯ D♯ E♯) — the arpeggio is the skeleton of that scale, so practise them together.

How do I practise the G♭△7 arpeggio on guitar?

Start on the root G♭ on the low E string at fret 2 and play E-string fret 2, E-string fret 6, A-string fret 4, D-string fret 3, D-string fret 4. Then play it descending, then in eighth notes with a metronome, then use it in a short phrase over a suitable chord.

Keep going

Major 7th arpeggio in every other key.

Same arpeggio on piano · Major 7th hub · chord-scale theory.

Other arpeggios from G♭