Map it slowly
Find E on string 5 at fret 7. Play string 5, fret 7; string 5, fret 11; string 4, fret 9; string 3, fret 8; string 3, fret 9. Use a relaxed position and release pressure between repetitions. String 1 is high E.
Arpeggio · E△7 · Guitar
The E△7 arpeggio is E – G♯ – B – D♯ — chord tones 1 3 5 7. E△7 is the tonic Imaj7 of a major key, and any maj7 chord; its sound is bright, settled, at rest. Below, every E, G♯, B, D♯ on the fretboard is marked, with the root in gold. Press play to hear a one-octave arpeggio, or tap any note.
Visualizer
Guitar · standard tuning
Piano
Play loops the arpeggio up and down one octave (switch Loop off for a single pass) in the position starting at fret 7. Tap any marked note to hear it. “Show” switches or combines the fretboard and keyboard; “Sound” picks the instrument you hear. Audio is synthesized in the browser.
Your next 10 minutes
Find E on string 5 at fret 7. Play string 5, fret 7; string 5, fret 11; string 4, fret 9; string 3, fret 8; string 3, fret 9. Use a relaxed position and release pressure between repetitions. String 1 is high E.
Play E – G♯ – B – D♯ in quarter notes at 60 bpm. Repeat starting from G♯, wrapping back to E. Do not speed up until every attack is even.
Alternate G♯ and D♯ above a sustained E. These are degree 3 and 7. End a four-bar phrase on either one instead of always returning to the root.
Listen for this: E△7 has the colour “bright, settled, at rest”. Name the degrees as you play, so you can recognize the sound in another key rather than remembering only a shape.
Understand the sound
Compare the major seventh with the root. Their half-step proximity is especially exposed when placed next to each other; change the register to soften it.
Here the third is G♯, and degree 7 is D♯. Play E in the bass and compare these voices individually before combining them.
Try G♯ – B – D♯ – E as quarter notes, then repeat the first note and omit the last. The second phrase uses the same harmony with a different shape.
Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.
Start with E on string 5, fret 7. The next note G♯ is on string 5, fret 11. Name both notes aloud before playing, then find the same two pitches in another octave.
Before moving on, close the diagram and name the notes: E · G♯ · B · D♯. Then play a two-bar phrase from memory and leave two bars of silence.
On piano
Reference
| Chord tone | Note | Interval from E |
|---|---|---|
| 1 | E | unison (0 semitones) |
| 3 | G♯ | major 3rd (4 semitones) |
| 5 | B | perfect 5th (7 semitones) |
| 7 | D♯ | major 7th (11 semitones) |
Goes with: E Major (Ionian) (E F♯ G♯ A B C♯ D♯). Voicings: E△7 voicings on guitar.
Take it to the bandstand.Practice Radio streams endless changes to play the E△7 arpeggio over through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.
▶ Open Practice RadioCommon questions
E – G♯ – B – D♯. As chord tones: 1 3 5 7. Played one after another instead of together, that is the arpeggio.
E△7 is the tonic Imaj7 of a major key, and any maj7 chord. Its character is bright, settled, at rest.
E Major (E F♯ G♯ A B C♯ D♯) — the arpeggio is the skeleton of that scale, so practise them together.
Start on the root E on the A string at fret 7 and play A-string fret 7, A-string fret 11, D-string fret 9, G-string fret 8, G-string fret 9. Then play it descending, then in eighth notes with a metronome, then use it in a short phrase over a suitable chord.
Keep going
Same arpeggio on piano · Major 7th hub · chord-scale theory.
Other arpeggios from E