Map it slowly
Find A♭ on string 6 at fret 4. Play string 6, fret 4; string 6, fret 8; string 5, fret 6; string 4, fret 5; string 4, fret 6. Use a relaxed position and release pressure between repetitions. String 1 is high E.
Arpeggio · A♭△7 · Guitar
The A♭△7 arpeggio is A♭ – C – E♭ – G — chord tones 1 3 5 7. A♭△7 is the tonic Imaj7 of a major key, and any maj7 chord; its sound is bright, settled, at rest. Below, every A♭, C, E♭, G on the fretboard is marked, with the root in gold. Press play to hear a one-octave arpeggio, or tap any note.
Visualizer
Guitar · standard tuning
Piano
Play loops the arpeggio up and down one octave (switch Loop off for a single pass) in the position starting at fret 4. Tap any marked note to hear it. “Show” switches or combines the fretboard and keyboard; “Sound” picks the instrument you hear. Audio is synthesized in the browser.
Your next 10 minutes
Find A♭ on string 6 at fret 4. Play string 6, fret 4; string 6, fret 8; string 5, fret 6; string 4, fret 5; string 4, fret 6. Use a relaxed position and release pressure between repetitions. String 1 is high E.
Play A♭ – C – E♭ – G in quarter notes at 60 bpm. Repeat starting from C, wrapping back to A♭. Do not speed up until every attack is even.
Alternate C and G above a sustained A♭. These are degree 3 and 7. End a four-bar phrase on either one instead of always returning to the root.
Listen for this: A♭△7 has the colour “bright, settled, at rest”. Name the degrees as you play, so you can recognize the sound in another key rather than remembering only a shape.
Understand the sound
Compare the major seventh with the root. Their half-step proximity is especially exposed when placed next to each other; change the register to soften it.
Here the third is C, and degree 7 is G. Play A♭ in the bass and compare these voices individually before combining them.
Try C – E♭ – G – A♭ as quarter notes, then repeat the first note and omit the last. The second phrase uses the same harmony with a different shape.
Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.
Start with A♭ on string 6, fret 4. The next note C is on string 6, fret 8. Name both notes aloud before playing, then find the same two pitches in another octave.
Before moving on, close the diagram and name the notes: A♭ · C · E♭ · G. Then play a two-bar phrase from memory and leave two bars of silence.
On piano
Reference
| Chord tone | Note | Interval from A♭ |
|---|---|---|
| 1 | A♭ | unison (0 semitones) |
| 3 | C | major 3rd (4 semitones) |
| 5 | E♭ | perfect 5th (7 semitones) |
| 7 | G | major 7th (11 semitones) |
Goes with: A♭ Major (Ionian) (A♭ B♭ C D♭ E♭ F G). Voicings: A♭△7 voicings on guitar.
Take it to the bandstand.Practice Radio streams endless changes to play the A♭△7 arpeggio over through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.
▶ Open Practice RadioCommon questions
A♭ – C – E♭ – G. As chord tones: 1 3 5 7. Played one after another instead of together, that is the arpeggio.
A♭△7 is the tonic Imaj7 of a major key, and any maj7 chord. Its character is bright, settled, at rest.
A♭ Major (A♭ B♭ C D♭ E♭ F G) — the arpeggio is the skeleton of that scale, so practise them together.
Start on the root A♭ on the low E string at fret 4 and play E-string fret 4, E-string fret 8, A-string fret 6, D-string fret 5, D-string fret 6. Then play it descending, then in eighth notes with a metronome, then use it in a short phrase over a suitable chord.
Keep going
Same arpeggio on piano · Major 7th hub · chord-scale theory.
Other arpeggios from A♭