Map it slowly
Find G♯ on string 6 at fret 4. Play string 6, fret 4; string 6, fret 7; string 5, fret 6; string 4, fret 4; string 4, fret 6. Use a relaxed position and release pressure between repetitions. String 1 is high E.
Arpeggio · G♯m7 · Guitar
The G♯m7 arpeggio is G♯ – B – D♯ – F♯ — chord tones 1 ♭3 5 ♭7. G♯m7 is the ii chord in a major ii–V–I, and minor-key tonics; its sound is soft, warm, unresolved. Below, every G♯, B, D♯, F♯ on the fretboard is marked, with the root in gold. Press play to hear a one-octave arpeggio, or tap any note.
Visualizer
Guitar · standard tuning
Piano
Play loops the arpeggio up and down one octave (switch Loop off for a single pass) in the position starting at fret 4. Tap any marked note to hear it. “Show” switches or combines the fretboard and keyboard; “Sound” picks the instrument you hear. Audio is synthesized in the browser.
Your next 10 minutes
Find G♯ on string 6 at fret 4. Play string 6, fret 4; string 6, fret 7; string 5, fret 6; string 4, fret 4; string 4, fret 6. Use a relaxed position and release pressure between repetitions. String 1 is high E.
Play G♯ – B – D♯ – F♯ in quarter notes at 60 bpm. Repeat starting from B, wrapping back to G♯. Do not speed up until every attack is even.
Alternate B and F♯ above a sustained G♯. These are degree ♭3 and ♭7. End a four-bar phrase on either one instead of always returning to the root.
Listen for this: G♯m7 has the colour “soft, warm, unresolved”. Name the degrees as you play, so you can recognize the sound in another key rather than remembering only a shape.
Understand the sound
The minor third supplies the minor identity and the flat seventh keeps the sound open. Preserve both when reducing the chord to a small voicing.
Here the third is B, and degree ♭7 is F♯. Play G♯ in the bass and compare these voices individually before combining them.
Try B – D♯ – F♯ – G♯ as quarter notes, then repeat the first note and omit the last. The second phrase uses the same harmony with a different shape.
Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.
Start with G♯ on string 6, fret 4. The next note B is on string 6, fret 7. Name both notes aloud before playing, then find the same two pitches in another octave.
Before moving on, close the diagram and name the notes: G♯ · B · D♯ · F♯. Then play a two-bar phrase from memory and leave two bars of silence.
On piano
Reference
| Chord tone | Note | Interval from G♯ |
|---|---|---|
| 1 | G♯ | unison (0 semitones) |
| ♭3 | B | minor 3rd (3 semitones) |
| 5 | D♯ | perfect 5th (7 semitones) |
| ♭7 | F♯ | minor 7th (10 semitones) |
Goes with: A♭ Dorian (A♭ B♭ C♭ D♭ E♭ F G♭). Voicings: G♯m7 voicings on guitar.
Take it to the bandstand.Practice Radio streams endless changes to play the G♯m7 arpeggio over through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.
▶ Open Practice RadioCommon questions
G♯ – B – D♯ – F♯. As chord tones: 1 ♭3 5 ♭7. Played one after another instead of together, that is the arpeggio.
G♯m7 is the ii chord in a major ii–V–I, and minor-key tonics. Its character is soft, warm, unresolved.
A♭ Dorian (A♭ B♭ C♭ D♭ E♭ F G♭) — the arpeggio is the skeleton of that scale, so practise them together.
Start on the root G♯ on the low E string at fret 4 and play E-string fret 4, E-string fret 7, A-string fret 6, D-string fret 4, D-string fret 6. Then play it descending, then in eighth notes with a metronome, then use it in a short phrase over a suitable chord.
Keep going
Same arpeggio on piano · Minor 7th hub · chord-scale theory.
Other arpeggios from G♯