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Voicings · G♯m7 · Guitar

G♯m7 voicings on guitar

G♯m7 is spelled G♯ – B – D♯ – F♯ (1 ♭3 5 ♭7) — the ii chord in a major ii–V–I, and minor-key tonics. Here are 5 ways to voice it on guitar: drop 2, drop 3, shell, rootless a, rootless b. Every diagram is playable — press play to hear the chord, or “roll it” to hear the voices one by one, low to high.

The voicings

5 ways to play G♯m7.

Sound
Root in gold, other voices in teal. Tap any note.

Drop 2

D♯ · G♯ · B · F♯
4fr×F♯7B3G♯1D♯5×

Take the close voicing and drop its second-highest voice an octave. The most-used four-note voicing on guitar and in piano left hands. Strings A-D-G-B, frets 6-6-4-7 (position 3).

Drop 3

B · G♯ · D♯ · F♯
F♯7D♯5G♯1×B3×

Drop the third-highest voice of the close voicing an octave: a wide, open sound. Strings A-G-B-e, frets 2-1-4-2.

Shell (1–7–3)

G♯ · F♯ · B
4fr××B3F♯7×G♯1

Root, seventh and third only. The fifth is dropped — it adds nothing to the chord's identity — leaving a light, clear voicing. Strings E-D-G, frets 4-4-4.

Rootless A (3–5–7–9)

B · D♯ · F♯ · A♯
3fr××A♯9F♯7D♯5B3

Bill Evans-style left-hand voicing: the third on the bottom, the ninth on top, the bass player supplies the root. Strings E-A-D-G, frets 7-6-4-3 (position 3).

Rootless B (7–9–3–5)

F♯ · A♯ · B · D♯
×D♯5B3×A♯9F♯7

The companion rootless voicing with the seventh on the bottom. Alternate A and B so the top voice moves by step through a ii–V–I. Strings E-A-G-B, frets 2-1-4-4.

Your next 10 minutes

Make G♯ Minor 7th part of your playing

Listen → play → apply
01

Build the sound

Play G♯ – B – D♯ – F♯ individually, then choose a shell voicing above. Sing the highest note before playing the chord.

02

Change the top note

Compare the displayed voicings of G♯m7. Notice which note is highest in each. Repeat the two shapes with the smallest comfortable hand movement, leaving a beat of silence between them.

03

Comp with space

Play G♯m7 on beats 2 and 4 at 60 bpm for four bars, then on the “and” of beat 2 for four bars. Keep the same notes while changing the rhythm. Mute unused strings and test each fretted note for buzz.

Listen for this: The chord tones are G♯, B, D♯, F♯. the ii chord in a major ii–V–I, and minor-key tonics. A fuller voicing is not automatically better: leave room for the melody and bass.

Understand the sound

G♯m7: from a pattern to a musical choice

What gives G♯m7 its identity?

The minor third supplies the minor identity and the flat seventh keeps the sound open. Preserve both when reducing the chord to a small voicing.

Here the third is B, and degree ♭7 is F♯. Play G♯ in the bass and compare these voices individually before combining them.

Choose a useful voicing

Start with the smallest displayed shape you can play cleanly. Move its highest note into a comfortable register and listen for a clear melody above the chord.

Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.

Your guitar checkpoint

Start with G♯ on string 6, fret 4. The next note B is on string 6, fret 7. Name both notes aloud before playing, then find the same two pitches in another octave.

Before moving on, close the diagram and name the notes: G♯ · B · D♯ · F♯. Then play a two-bar phrase from memory and leave two bars of silence.

Behind the voicings

Every G♯m7 chord tone on the fretboard.

G♯m7 arpeggio (G♯ B D♯ F♯) on a guitar fretboard: every G♯ in gold, the other chord tones outlined in amber
All the notes the voicings above are built from — the G♯m7 arpeggio page plays them.

Reference

G♯m7 — chord tones & function.

Chord toneNoteInterval
1G♯unison
♭3Bminor 3rd
5D♯perfect 5th
♭7F♯minor 7th

Take it to the bandstand.Practice Radio streams endless changes to comp G♯m7 through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

G♯m7 voicings FAQ.

What notes are in G♯m7?

G♯, B, D♯, F♯ — chord tones 1 ♭3 5 ♭7. Rootless voicings add the 9th, A♯, and leave the root to the bass.

What is the easiest G♯m7 voicing on guitar?

The shell voicing (root, seventh, third) on strings E, D, G: three notes, one comfortable shape, and it still sounds unmistakably like G♯m7.

What is a drop-2 voicing?

Start from the close voicing G♯ B D♯ F♯ and drop the second note from the top an octave: D♯ – G♯ – B – F♯. It spreads the chord so it fits the hand — and on guitar it fits four adjacent strings.

Where does G♯m7 appear?

G♯m7 is the ii chord in a major ii–V–I, and minor-key tonics. Its character is soft, warm, unresolved.

Keep going

Minor 7th voicings in every other key.

Same chord on piano · Minor 7th hub.

Other chords from G♯