Build the sound
Play B♭ – D – F – G individually, then choose a shell voicing above. Sing the highest note before playing the chord.
Voicings · B♭6 · Guitar
B♭6 voicings on guitar
B♭6 is spelled B♭ – D – F – G (1 3 5 6) — a tonic alternative to maj7, especially on the last chord of a tune. Here are 5 ways to voice it on guitar: drop 2, drop 3, shell, rootless a, rootless b. Every diagram is playable — press play to hear the chord, or “roll it” to hear the voices one by one, low to high.
The voicings
5 ways to play B♭6.
SoundRoot in gold, other voices in teal. Tap any note.
Drop 2
F · B♭ · DTake the close voicing and drop its second-highest voice an octave. The most-used four-note voicing on guitar and in piano left hands. Strings D-G-B, frets 3-3-3.
Drop 3
D · B♭ · FDrop the third-highest voice of the close voicing an octave: a wide, open sound. Strings A-G-B, frets 5-3-6 (position 2).
Shell (1–7–3)
B♭ · DRoot, seventh and third only. The fifth is dropped — it adds nothing to the chord's identity — leaving a light, clear voicing. Strings G-B, frets 3-3.
Rootless A (3–5–7–9)
D · F · CBill Evans-style left-hand voicing: the third on the bottom, the ninth on top, the bass player supplies the root. Strings A-D-G, frets 5-3-5 (position 1).
Rootless B (7–9–3–5)
C · D · FThe companion rootless voicing with the seventh on the bottom. Alternate A and B so the top voice moves by step through a ii–V–I. Strings A-B-e, frets 3-3-1.
Your next 10 minutes
Make B♭ Major 6th part of your playing
Change the top note
Compare the displayed voicings of B♭6. Notice which note is highest in each. Repeat the two shapes with the smallest comfortable hand movement, leaving a beat of silence between them.
Comp with space
Play B♭6 on beats 2 and 4 at 60 bpm for four bars, then on the “and” of beat 2 for four bars. Keep the same notes while changing the rhythm. Mute unused strings and test each fretted note for buzz.
Listen for this: The chord tones are B♭, D, F, G. a tonic alternative to maj7, especially on the last chord of a tune. A fuller voicing is not automatically better: leave room for the melody and bass.
Understand the sound
B♭6: from a pattern to a musical choice
What gives B♭6 its identity?
The sixth replaces the major seventh. Compare the softer root-and-sixth relationship with the half-step tension of a major seventh.
Here the third is D, and degree 6 is G. Play B♭ in the bass and compare these voices individually before combining them.
Choose a useful voicing
Start with the smallest displayed shape you can play cleanly. Move its highest note into a comfortable register and listen for a clear melody above the chord.
Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.
Your guitar checkpoint
Start with B♭ on string 6, fret 6. The next note D is on string 6, fret 10. Name both notes aloud before playing, then find the same two pitches in another octave.
Before moving on, close the diagram and name the notes: B♭ · D · F · G. Then play a two-bar phrase from memory and leave two bars of silence.
Behind the voicings
Every B♭6 chord tone on the fretboard.
Reference
B♭6 — chord tones & function.
| Chord tone | Note | Interval |
|---|---|---|
| 1 | B♭ | unison |
| 3 | D | major 3rd |
| 5 | F | perfect 5th |
| 6 | G | major 6th |
Arpeggio: B♭6 arpeggio on guitar. Scale: B♭ Major (Ionian).
Take it to the bandstand.Practice Radio streams endless changes to comp B♭6 through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.
▶ Open Practice RadioCommon questions
B♭6 voicings FAQ.
What notes are in B♭6?
B♭, D, F, G — chord tones 1 3 5 6. Rootless voicings add the 9th, C, and leave the root to the bass.
What is the easiest B♭6 voicing on guitar?
The shell voicing (root, seventh, third) on strings G, B: three notes, one comfortable shape, and it still sounds unmistakably like B♭6.
What is a drop-2 voicing?
Start from the close voicing B♭ D F G and drop the second note from the top an octave: F – B♭ – D. It spreads the chord so it fits the hand — and on guitar it fits four adjacent strings.
Where does B♭6 appear?
B♭6 is a tonic alternative to maj7, especially on the last chord of a tune. Its character is open, classic, swing-era.
Keep going
Major 6th voicings in every other key.
Same chord on piano · Major 6th hub.
Other chords from B♭