HomeChord voicingsMajor 6thF♯ · Guitar

Voicings · F♯6 · Guitar

F♯6 voicings on guitar

F♯6 is spelled F♯ – A♯ – C♯ – D♯ (1 3 5 6) — a tonic alternative to maj7, especially on the last chord of a tune. Here are 5 ways to voice it on guitar: drop 2, drop 3, shell, rootless a, rootless b. Every diagram is playable — press play to hear the chord, or “roll it” to hear the voices one by one, low to high.

The voicings

5 ways to play F♯6.

Sound
Root in gold, other voices in teal. Tap any note.

Drop 2

C♯ · F♯ · A♯
3fr××A♯3F♯1C♯5×

Take the close voicing and drop its second-highest voice an octave. The most-used four-note voicing on guitar and in piano left hands. Strings A-D-G, frets 4-4-3.

Drop 3

A♯ · F♯ · C♯
×C♯5×F♯1A♯3×

Drop the third-highest voice of the close voicing an octave: a wide, open sound. Strings A-D-B, frets 1-4-2.

Shell (1–7–3)

F♯ · A♯
××××A♯3F♯1

Root, seventh and third only. The fifth is dropped — it adds nothing to the chord's identity — leaving a light, clear voicing. Strings E-A, frets 2-1.

Rootless A (3–5–7–9)

A♯ · C♯ · G♯
2frG♯9C♯5A♯3×××

Bill Evans-style left-hand voicing: the third on the bottom, the ninth on top, the bass player supplies the root. Strings G-B-e, frets 3-2-4.

Rootless B (7–9–3–5)

G♯ · A♯ · C♯
2fr×C♯5A♯3××G♯9

The companion rootless voicing with the seventh on the bottom. Alternate A and B so the top voice moves by step through a ii–V–I. Strings E-G-B, frets 4-3-2.

Your next 10 minutes

Make F♯ Major 6th part of your playing

Listen → play → apply
01

Build the sound

Play F♯ – A♯ – C♯ – D♯ individually, then choose a shell voicing above. Sing the highest note before playing the chord.

02

Change the top note

Compare the displayed voicings of F♯6. Notice which note is highest in each. Repeat the two shapes with the smallest comfortable hand movement, leaving a beat of silence between them.

03

Comp with space

Play F♯6 on beats 2 and 4 at 60 bpm for four bars, then on the “and” of beat 2 for four bars. Keep the same notes while changing the rhythm. Mute unused strings and test each fretted note for buzz.

Listen for this: The chord tones are F♯, A♯, C♯, D♯. a tonic alternative to maj7, especially on the last chord of a tune. A fuller voicing is not automatically better: leave room for the melody and bass.

Understand the sound

F♯6: from a pattern to a musical choice

What gives F♯6 its identity?

The sixth replaces the major seventh. Compare the softer root-and-sixth relationship with the half-step tension of a major seventh.

Here the third is A♯, and degree 6 is D♯. Play F♯ in the bass and compare these voices individually before combining them.

Choose a useful voicing

Start with the smallest displayed shape you can play cleanly. Move its highest note into a comfortable register and listen for a clear melody above the chord.

Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.

Your guitar checkpoint

Start with F♯ on string 6, fret 2. The next note A♯ is on string 6, fret 6. Name both notes aloud before playing, then find the same two pitches in another octave.

Before moving on, close the diagram and name the notes: F♯ · A♯ · C♯ · D♯. Then play a two-bar phrase from memory and leave two bars of silence.

Behind the voicings

Every F♯6 chord tone on the fretboard.

F♯6 arpeggio (F♯ A♯ C♯ D♯) on a guitar fretboard: every F♯ in gold, the other chord tones outlined in amber
All the notes the voicings above are built from — the F♯6 arpeggio page plays them.

Reference

F♯6 — chord tones & function.

Chord toneNoteInterval
1F♯unison
3A♯major 3rd
5C♯perfect 5th
6D♯major 6th

Take it to the bandstand.Practice Radio streams endless changes to comp F♯6 through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

F♯6 voicings FAQ.

What notes are in F♯6?

F♯, A♯, C♯, D♯ — chord tones 1 3 5 6. Rootless voicings add the 9th, G♯, and leave the root to the bass.

What is the easiest F♯6 voicing on guitar?

The shell voicing (root, seventh, third) on strings E, A: three notes, one comfortable shape, and it still sounds unmistakably like F♯6.

What is a drop-2 voicing?

Start from the close voicing F♯ A♯ C♯ D♯ and drop the second note from the top an octave: C♯ – F♯ – A♯. It spreads the chord so it fits the hand — and on guitar it fits four adjacent strings.

Where does F♯6 appear?

F♯6 is a tonic alternative to maj7, especially on the last chord of a tune. Its character is open, classic, swing-era.

Keep going

Major 6th voicings in every other key.

Same chord on piano · Major 6th hub.

Other chords from F♯