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Voicings · F♯m6 · Guitar

F♯m6 voicings on guitar

F♯m6 is spelled F♯ – A – C♯ – D♯ (1 ♭3 5 6) — a minor tonic with a Dorian colour, or a rootless 9th of a dominant a fourth below. Here are 5 ways to voice it on guitar: drop 2, drop 3, shell, rootless a, rootless b. Every diagram is playable — press play to hear the chord, or “roll it” to hear the voices one by one, low to high.

The voicings

5 ways to play F♯m6.

Sound
Root in gold, other voices in teal. Tap any note.

Drop 2

C♯ · F♯ · A
2fr××A3F♯1C♯5×

Take the close voicing and drop its second-highest voice an octave. The most-used four-note voicing on guitar and in piano left hands. Strings A-D-G, frets 4-4-2.

Drop 3

A · F♯ · C♯
4fr××C♯5F♯1×A3

Drop the third-highest voice of the close voicing an octave: a wide, open sound. Strings E-D-G, frets 5-4-6 (position 2).

Shell (1–7–3)

F♯ · A
2fr××A3F♯1××

Root, seventh and third only. The fifth is dropped — it adds nothing to the chord's identity — leaving a light, clear voicing. Strings D-G, frets 4-2.

Rootless A (3–5–7–9)

A · C♯ · G♯
2frG♯9C♯5A3×××

Bill Evans-style left-hand voicing: the third on the bottom, the ninth on top, the bass player supplies the root. Strings G-B-e, frets 2-2-4.

Rootless B (7–9–3–5)

G♯ · A · C♯
2fr×C♯5A3××G♯9

The companion rootless voicing with the seventh on the bottom. Alternate A and B so the top voice moves by step through a ii–V–I. Strings E-G-B, frets 4-2-2.

Your next 10 minutes

Make F♯ Minor 6th part of your playing

Listen → play → apply
01

Build the sound

Play F♯ – A – C♯ – D♯ individually, then choose a shell voicing above. Sing the highest note before playing the chord.

02

Change the top note

Compare the displayed voicings of F♯m6. Notice which note is highest in each. Repeat the two shapes with the smallest comfortable hand movement, leaving a beat of silence between them.

03

Comp with space

Play F♯m6 on beats 2 and 4 at 60 bpm for four bars, then on the “and” of beat 2 for four bars. Keep the same notes while changing the rhythm. Mute unused strings and test each fretted note for buzz.

Listen for this: The chord tones are F♯, A, C♯, D♯. a minor tonic with a Dorian colour, or a rootless 9th of a dominant a fourth below. A fuller voicing is not automatically better: leave room for the melody and bass.

Understand the sound

F♯m6: from a pattern to a musical choice

What gives F♯m6 its identity?

This chord has a minor third and a natural sixth. The sixth is not a flat sixth; compare those notes over the same minor triad.

Here the third is A, and degree 6 is D♯. Play F♯ in the bass and compare these voices individually before combining them.

Choose a useful voicing

Start with the smallest displayed shape you can play cleanly. Move its highest note into a comfortable register and listen for a clear melody above the chord.

Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.

Your guitar checkpoint

Start with F♯ on string 6, fret 2. The next note A is on string 6, fret 5. Name both notes aloud before playing, then find the same two pitches in another octave.

Before moving on, close the diagram and name the notes: F♯ · A · C♯ · D♯. Then play a two-bar phrase from memory and leave two bars of silence.

Behind the voicings

Every F♯m6 chord tone on the fretboard.

F♯m6 arpeggio (F♯ A C♯ D♯) on a guitar fretboard: every F♯ in gold, the other chord tones outlined in amber
All the notes the voicings above are built from — the F♯m6 arpeggio page plays them.

Reference

F♯m6 — chord tones & function.

Chord toneNoteInterval
1F♯unison
♭3Aminor 3rd
5C♯perfect 5th
6D♯major 6th

Take it to the bandstand.Practice Radio streams endless changes to comp F♯m6 through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

F♯m6 voicings FAQ.

What notes are in F♯m6?

F♯, A, C♯, D♯ — chord tones 1 ♭3 5 6. Rootless voicings add the 9th, G♯, and leave the root to the bass.

What is the easiest F♯m6 voicing on guitar?

The shell voicing (root, seventh, third) on strings D, G: three notes, one comfortable shape, and it still sounds unmistakably like F♯m6.

What is a drop-2 voicing?

Start from the close voicing F♯ A C♯ D♯ and drop the second note from the top an octave: C♯ – F♯ – A. It spreads the chord so it fits the hand — and on guitar it fits four adjacent strings.

Where does F♯m6 appear?

F♯m6 is a minor tonic with a Dorian colour, or a rootless 9th of a dominant a fourth below. Its character is minor but bright.

Keep going

Minor 6th voicings in every other key.

Same chord on piano · Minor 6th hub.

Other chords from F♯