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Voicings · C♯m6 · Guitar

C♯m6 voicings on guitar

C♯m6 is spelled C♯ – E – G♯ – A♯ (1 ♭3 5 6) — a minor tonic with a Dorian colour, or a rootless 9th of a dominant a fourth below. Here are 5 ways to voice it on guitar: drop 2, drop 3, shell, rootless a, rootless b. Every diagram is playable — press play to hear the chord, or “roll it” to hear the voices one by one, low to high.

The voicings

5 ways to play C♯m6.

Sound
Root in gold, other voices in teal. Tap any note.

Drop 2

G♯ · C♯ · E
2fr×××E3C♯1G♯5

Take the close voicing and drop its second-highest voice an octave. The most-used four-note voicing on guitar and in piano left hands. Strings E-A-D, frets 4-4-2.

Drop 3

E · C♯ · G♯
2frG♯5C♯1×E3××

Drop the third-highest voice of the close voicing an octave: a wide, open sound. Strings D-B-e, frets 2-2-4.

Shell (1–7–3)

C♯ · E
2fr×××E3C♯1×

Root, seventh and third only. The fifth is dropped — it adds nothing to the chord's identity — leaving a light, clear voicing. Strings A-D, frets 4-2.

Rootless A (3–5–7–9)

E · G♯ · D♯
×D♯9G♯5E3××

Bill Evans-style left-hand voicing: the third on the bottom, the ninth on top, the bass player supplies the root. Strings D-G-B, frets 2-1-4.

Rootless B (7–9–3–5)

D♯ · E · G♯
G♯5E3×D♯9××

The companion rootless voicing with the seventh on the bottom. Alternate A and B so the top voice moves by step through a ii–V–I. Strings D-B-e, frets 1-5-4 (position 1).

Your next 10 minutes

Make C♯ Minor 6th part of your playing

Listen → play → apply
01

Build the sound

Play C♯ – E – G♯ – A♯ individually, then choose a shell voicing above. Sing the highest note before playing the chord.

02

Change the top note

Compare the displayed voicings of C♯m6. Notice which note is highest in each. Repeat the two shapes with the smallest comfortable hand movement, leaving a beat of silence between them.

03

Comp with space

Play C♯m6 on beats 2 and 4 at 60 bpm for four bars, then on the “and” of beat 2 for four bars. Keep the same notes while changing the rhythm. Mute unused strings and test each fretted note for buzz.

Listen for this: The chord tones are C♯, E, G♯, A♯. a minor tonic with a Dorian colour, or a rootless 9th of a dominant a fourth below. A fuller voicing is not automatically better: leave room for the melody and bass.

Understand the sound

C♯m6: from a pattern to a musical choice

What gives C♯m6 its identity?

This chord has a minor third and a natural sixth. The sixth is not a flat sixth; compare those notes over the same minor triad.

Here the third is E, and degree 6 is A♯. Play C♯ in the bass and compare these voices individually before combining them.

Choose a useful voicing

Start with the smallest displayed shape you can play cleanly. Move its highest note into a comfortable register and listen for a clear melody above the chord.

Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.

Your guitar checkpoint

Start with C♯ on string 5, fret 4. The next note E is on string 5, fret 7. Name both notes aloud before playing, then find the same two pitches in another octave.

Before moving on, close the diagram and name the notes: C♯ · E · G♯ · A♯. Then play a two-bar phrase from memory and leave two bars of silence.

Behind the voicings

Every C♯m6 chord tone on the fretboard.

C♯m6 arpeggio (C♯ E G♯ A♯) on a guitar fretboard: every C♯ in gold, the other chord tones outlined in amber
All the notes the voicings above are built from — the C♯m6 arpeggio page plays them.

Reference

C♯m6 — chord tones & function.

Chord toneNoteInterval
1C♯unison
♭3Eminor 3rd
5G♯perfect 5th
6A♯major 6th

Take it to the bandstand.Practice Radio streams endless changes to comp C♯m6 through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

C♯m6 voicings FAQ.

What notes are in C♯m6?

C♯, E, G♯, A♯ — chord tones 1 ♭3 5 6. Rootless voicings add the 9th, D♯, and leave the root to the bass.

What is the easiest C♯m6 voicing on guitar?

The shell voicing (root, seventh, third) on strings A, D: three notes, one comfortable shape, and it still sounds unmistakably like C♯m6.

What is a drop-2 voicing?

Start from the close voicing C♯ E G♯ A♯ and drop the second note from the top an octave: G♯ – C♯ – E. It spreads the chord so it fits the hand — and on guitar it fits four adjacent strings.

Where does C♯m6 appear?

C♯m6 is a minor tonic with a Dorian colour, or a rootless 9th of a dominant a fourth below. Its character is minor but bright.

Keep going

Minor 6th voicings in every other key.

Same chord on piano · Minor 6th hub.

Other chords from C♯