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Voicings · B♭m6 · Guitar

B♭m6 voicings on guitar

B♭m6 is spelled B♭ – D♭ – F – G (1 ♭3 5 6) — a minor tonic with a Dorian colour, or a rootless 9th of a dominant a fourth below. Here are 5 ways to voice it on guitar: drop 2, drop 3, shell, rootless a, rootless b. Every diagram is playable — press play to hear the chord, or “roll it” to hear the voices one by one, low to high.

The voicings

5 ways to play B♭m6.

Sound
Root in gold, other voices in teal. Tap any note.

Drop 2

F · B♭ · D♭
2fr×D♭3B♭1F5××

Take the close voicing and drop its second-highest voice an octave. The most-used four-note voicing on guitar and in piano left hands. Strings D-G-B, frets 3-3-2.

Drop 3

D♭ · B♭ · F
F5×B♭1×D♭3×

Drop the third-highest voice of the close voicing an octave: a wide, open sound. Strings A-G-e, frets 4-3-1.

Shell (1–7–3)

B♭ · D♭
2fr×D♭3B♭1×××

Root, seventh and third only. The fifth is dropped — it adds nothing to the chord's identity — leaving a light, clear voicing. Strings G-B, frets 3-2.

Rootless A (3–5–7–9)

D♭ · F · C
3fr××C9F5D♭3×

Bill Evans-style left-hand voicing: the third on the bottom, the ninth on top, the bass player supplies the root. Strings A-D-G, frets 4-3-5 (position 1).

Rootless B (7–9–3–5)

C · D♭ · F
F5D♭3××C9×

The companion rootless voicing with the seventh on the bottom. Alternate A and B so the top voice moves by step through a ii–V–I. Strings A-B-e, frets 3-2-1.

Your next 10 minutes

Make B♭ Minor 6th part of your playing

Listen → play → apply
01

Build the sound

Play B♭ – D♭ – F – G individually, then choose a shell voicing above. Sing the highest note before playing the chord.

02

Change the top note

Compare the displayed voicings of B♭m6. Notice which note is highest in each. Repeat the two shapes with the smallest comfortable hand movement, leaving a beat of silence between them.

03

Comp with space

Play B♭m6 on beats 2 and 4 at 60 bpm for four bars, then on the “and” of beat 2 for four bars. Keep the same notes while changing the rhythm. Mute unused strings and test each fretted note for buzz.

Listen for this: The chord tones are B♭, D♭, F, G. a minor tonic with a Dorian colour, or a rootless 9th of a dominant a fourth below. A fuller voicing is not automatically better: leave room for the melody and bass.

Understand the sound

B♭m6: from a pattern to a musical choice

What gives B♭m6 its identity?

This chord has a minor third and a natural sixth. The sixth is not a flat sixth; compare those notes over the same minor triad.

Here the third is D♭, and degree 6 is G. Play B♭ in the bass and compare these voices individually before combining them.

Choose a useful voicing

Start with the smallest displayed shape you can play cleanly. Move its highest note into a comfortable register and listen for a clear melody above the chord.

Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.

Your guitar checkpoint

Start with B♭ on string 6, fret 6. The next note D♭ is on string 6, fret 9. Name both notes aloud before playing, then find the same two pitches in another octave.

Before moving on, close the diagram and name the notes: B♭ · D♭ · F · G. Then play a two-bar phrase from memory and leave two bars of silence.

Behind the voicings

Every B♭m6 chord tone on the fretboard.

B♭m6 arpeggio (B♭ D♭ F G) on a guitar fretboard: every B♭ in gold, the other chord tones outlined in amber
All the notes the voicings above are built from — the B♭m6 arpeggio page plays them.

Reference

B♭m6 — chord tones & function.

Chord toneNoteInterval
1B♭unison
♭3D♭minor 3rd
5Fperfect 5th
6Gmajor 6th

Take it to the bandstand.Practice Radio streams endless changes to comp B♭m6 through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

B♭m6 voicings FAQ.

What notes are in B♭m6?

B♭, D♭, F, G — chord tones 1 ♭3 5 6. Rootless voicings add the 9th, C, and leave the root to the bass.

What is the easiest B♭m6 voicing on guitar?

The shell voicing (root, seventh, third) on strings G, B: three notes, one comfortable shape, and it still sounds unmistakably like B♭m6.

What is a drop-2 voicing?

Start from the close voicing B♭ D♭ F G and drop the second note from the top an octave: F – B♭ – D♭. It spreads the chord so it fits the hand — and on guitar it fits four adjacent strings.

Where does B♭m6 appear?

B♭m6 is a minor tonic with a Dorian colour, or a rootless 9th of a dominant a fourth below. Its character is minor but bright.

Keep going

Minor 6th voicings in every other key.

Same chord on piano · Minor 6th hub.

Other chords from B♭