Map it slowly
Locate B on white keys and G♯, D♯, F♯, A♯ on black keys. Try each hand separately before playing together; choose a fingering that keeps the wrist relaxed, without stretching between notes.
Arpeggio · G♯m9 · Piano
The G♯m9 arpeggio is G♯ – B – D♯ – F♯ – A♯ — chord tones 1 ♭3 5 ♭7 9. G♯m9 is a coloured ii chord or minor tonic; its sound is smooth, modern. Below, every G♯, B, D♯, F♯, A♯ on the two-octave keyboard is marked, with the root in gold. Press play to hear a one-octave arpeggio, or tap any note.
Visualizer
Piano
Guitar · standard tuning
Play loops the arpeggio up and down one octave (switch Loop off for a single pass). Tap any marked note to hear it. “Show” switches or combines the fretboard and keyboard; “Sound” picks the instrument you hear. Audio is synthesized in the browser.
Your next 10 minutes
Locate B on white keys and G♯, D♯, F♯, A♯ on black keys. Try each hand separately before playing together; choose a fingering that keeps the wrist relaxed, without stretching between notes.
Play G♯ – B – D♯ – F♯ – A♯ in quarter notes at 60 bpm. Repeat starting from B, wrapping back to G♯. Do not speed up until every attack is even.
Alternate B and F♯ above a sustained G♯. These are degree ♭3 and ♭7. End a four-bar phrase on either one instead of always returning to the root.
Listen for this: G♯m9 has the colour “smooth, modern”. Name the degrees as you play, so you can recognize the sound in another key rather than remembering only a shape.
Understand the sound
The ninth colours the minor-seventh sound without changing its third or seventh. Let the top note sing instead of treating every voice equally.
Here the third is B, and degree ♭7 is F♯. Play G♯ in the bass and compare these voices individually before combining them.
Try B – D♯ – F♯ – G♯ as quarter notes, then repeat the first note and omit the last. The second phrase uses the same harmony with a different shape.
Separate the bass from the upper notes. If the low register sounds muddy, move the upper voices up an octave before adding more notes.
The black-key pitches in this collection are G♯, D♯, F♯, A♯. Use the groups of two and three black keys to orient yourself. Play G♯ and B with each hand separately before combining the hands.
Before moving on, close the diagram and name the notes: G♯ · B · D♯ · F♯ · A♯. Then play a two-bar phrase from memory and leave two bars of silence.
On guitar
Reference
| Chord tone | Note | Interval from G♯ |
|---|---|---|
| 1 | G♯ | unison (0 semitones) |
| ♭3 | B | minor 3rd (3 semitones) |
| 5 | D♯ | perfect 5th (7 semitones) |
| ♭7 | F♯ | minor 7th (10 semitones) |
| 9 | A♯ | major 9th (14 semitones) |
Goes with: A♭ Dorian (A♭ B♭ C♭ D♭ E♭ F G♭). Voicings: see the four-note chord voicings in the chord library.
Take it to the bandstand.Practice Radio streams endless changes to play the G♯m9 arpeggio over through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.
▶ Open Practice RadioCommon questions
G♯ – B – D♯ – F♯ – A♯. As chord tones: 1 ♭3 5 ♭7 9. Played one after another instead of together, that is the arpeggio.
G♯m9 is a coloured ii chord or minor tonic. Its character is smooth, modern.
A♭ Dorian (A♭ B♭ C♭ D♭ E♭ F G♭) — the arpeggio is the skeleton of that scale, so practise them together.
Play G♯ – B – D♯ – F♯ – A♯ ascending from G♯, then descend; then start from each chord tone in turn (inversions) so your hand knows the shape from any note.
Keep going
Same arpeggio on guitar · Minor 9th hub · chord-scale theory.
Other arpeggios from G♯