Map it slowly
Locate F, C on white keys and B♭, D♭, A♭ on black keys. Try each hand separately before playing together; choose a fingering that keeps the wrist relaxed, without stretching between notes.
Arpeggio · B♭m9 · Piano
The B♭m9 arpeggio is B♭ – D♭ – F – A♭ – C — chord tones 1 ♭3 5 ♭7 9. B♭m9 is a coloured ii chord or minor tonic; its sound is smooth, modern. Below, every B♭, D♭, F, A♭, C on the two-octave keyboard is marked, with the root in gold. Press play to hear a one-octave arpeggio, or tap any note.
Visualizer
Piano
Guitar · standard tuning
Play loops the arpeggio up and down one octave (switch Loop off for a single pass). Tap any marked note to hear it. “Show” switches or combines the fretboard and keyboard; “Sound” picks the instrument you hear. Audio is synthesized in the browser.
Your next 10 minutes
Locate F, C on white keys and B♭, D♭, A♭ on black keys. Try each hand separately before playing together; choose a fingering that keeps the wrist relaxed, without stretching between notes.
Play B♭ – D♭ – F – A♭ – C in quarter notes at 60 bpm. Repeat starting from D♭, wrapping back to B♭. Do not speed up until every attack is even.
Alternate D♭ and A♭ above a sustained B♭. These are degree ♭3 and ♭7. End a four-bar phrase on either one instead of always returning to the root.
Listen for this: B♭m9 has the colour “smooth, modern”. Name the degrees as you play, so you can recognize the sound in another key rather than remembering only a shape.
Understand the sound
The ninth colours the minor-seventh sound without changing its third or seventh. Let the top note sing instead of treating every voice equally.
Here the third is D♭, and degree ♭7 is A♭. Play B♭ in the bass and compare these voices individually before combining them.
Try D♭ – F – A♭ – B♭ as quarter notes, then repeat the first note and omit the last. The second phrase uses the same harmony with a different shape.
Separate the bass from the upper notes. If the low register sounds muddy, move the upper voices up an octave before adding more notes.
The black-key pitches in this collection are B♭, D♭, A♭. Use the groups of two and three black keys to orient yourself. Play B♭ and D♭ with each hand separately before combining the hands.
Before moving on, close the diagram and name the notes: B♭ · D♭ · F · A♭ · C. Then play a two-bar phrase from memory and leave two bars of silence.
On guitar
Reference
| Chord tone | Note | Interval from B♭ |
|---|---|---|
| 1 | B♭ | unison (0 semitones) |
| ♭3 | D♭ | minor 3rd (3 semitones) |
| 5 | F | perfect 5th (7 semitones) |
| ♭7 | A♭ | minor 7th (10 semitones) |
| 9 | C | major 9th (14 semitones) |
Goes with: B♭ Dorian (B♭ C D♭ E♭ F G A♭). Voicings: see the four-note chord voicings in the chord library.
Take it to the bandstand.Practice Radio streams endless changes to play the B♭m9 arpeggio over through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.
▶ Open Practice RadioCommon questions
B♭ – D♭ – F – A♭ – C. As chord tones: 1 ♭3 5 ♭7 9. Played one after another instead of together, that is the arpeggio.
B♭m9 is a coloured ii chord or minor tonic. Its character is smooth, modern.
B♭ Dorian (B♭ C D♭ E♭ F G A♭) — the arpeggio is the skeleton of that scale, so practise them together.
Play B♭ – D♭ – F – A♭ – C ascending from B♭, then descend; then start from each chord tone in turn (inversions) so your hand knows the shape from any note.
Keep going
Same arpeggio on guitar · Minor 9th hub · chord-scale theory.
Other arpeggios from B♭