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Voicings · Gm△7 · Guitar

Gm△7 voicings on guitar

Gm△7 is spelled G – B♭ – D – F♯ (1 ♭3 5 7) — a minor tonic with a raised seventh — the melodic-minor tonic. Here are 5 ways to voice it on guitar: drop 2, drop 3, shell, rootless a, rootless b. Every diagram is playable — press play to hear the chord, or “roll it” to hear the voices one by one, low to high.

The voicings

5 ways to play Gm△7.

Sound
Root in gold, other voices in teal. Tap any note.

Drop 2

D · G · B♭ · F♯
2frF♯7×B♭3G1D5×

Take the close voicing and drop its second-highest voice an octave. The most-used four-note voicing on guitar and in piano left hands. Strings A-D-G-e, frets 5-5-3-2 (position 1).

Drop 3

B♭ · G · D · F♯
5fr×F♯7D5G1×B♭3

Drop the third-highest voice of the close voicing an octave: a wide, open sound. Strings E-D-G-B, frets 6-5-7-7 (position 3).

Shell (1–7–3)

G · F♯ · B♭
3fr××B♭3F♯7×G1

Root, seventh and third only. The fifth is dropped — it adds nothing to the chord's identity — leaving a light, clear voicing. Strings E-D-G, frets 3-4-3.

Rootless A (3–5–7–9)

B♭ · D · F♯ · A
2fr××A9F♯7D5B♭3

Bill Evans-style left-hand voicing: the third on the bottom, the ninth on top, the bass player supplies the root. Strings E-A-D-G, frets 6-5-4-2 (position 2).

Rootless B (7–9–3–5)

F♯ · A · B♭ · D
×D5B♭3×A9F♯7

The companion rootless voicing with the seventh on the bottom. Alternate A and B so the top voice moves by step through a ii–V–I. Strings E-A-G-B, frets 2-0-3-3.

Your next 10 minutes

Make G Minor-major 7th part of your playing

Listen → play → apply
01

Build the sound

Play G – B♭ – D – F♯ individually, then choose a shell voicing above. Sing the highest note before playing the chord.

02

Change the top note

Compare the displayed voicings of Gm△7. Notice which note is highest in each. Repeat the two shapes with the smallest comfortable hand movement, leaving a beat of silence between them.

03

Comp with space

Play Gm△7 on beats 2 and 4 at 60 bpm for four bars, then on the “and” of beat 2 for four bars. Keep the same notes while changing the rhythm. Mute unused strings and test each fretted note for buzz.

Listen for this: The chord tones are G, B♭, D, F♯. a minor tonic with a raised seventh — the melodic-minor tonic. A fuller voicing is not automatically better: leave room for the melody and bass.

Understand the sound

Gm△7: from a pattern to a musical choice

What gives Gm△7 its identity?

The minor third and major seventh pull in different directions. Keep the seventh audible so the chord is not mistaken for an ordinary minor seventh.

Here the third is B♭, and degree 7 is F♯. Play G in the bass and compare these voices individually before combining them.

Choose a useful voicing

Start with the smallest displayed shape you can play cleanly. Move its highest note into a comfortable register and listen for a clear melody above the chord.

Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.

Your guitar checkpoint

Start with G on string 6, fret 3. The next note B♭ is on string 6, fret 6. Name both notes aloud before playing, then find the same two pitches in another octave.

Before moving on, close the diagram and name the notes: G · B♭ · D · F♯. Then play a two-bar phrase from memory and leave two bars of silence.

Behind the voicings

Every Gm△7 chord tone on the fretboard.

Gm△7 arpeggio (G B♭ D F♯) on a guitar fretboard: every G in gold, the other chord tones outlined in amber
All the notes the voicings above are built from — the Gm△7 arpeggio page plays them.

Reference

Gm△7 — chord tones & function.

Chord toneNoteInterval
1Gunison
♭3B♭minor 3rd
5Dperfect 5th
7F♯major 7th

Take it to the bandstand.Practice Radio streams endless changes to comp Gm△7 through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

Gm△7 voicings FAQ.

What notes are in Gm△7?

G, B♭, D, F♯ — chord tones 1 ♭3 5 7. Rootless voicings add the 9th, A, and leave the root to the bass.

What is the easiest Gm△7 voicing on guitar?

The shell voicing (root, seventh, third) on strings E, D, G: three notes, one comfortable shape, and it still sounds unmistakably like Gm△7.

What is a drop-2 voicing?

Start from the close voicing G B♭ D F♯ and drop the second note from the top an octave: D – G – B♭ – F♯. It spreads the chord so it fits the hand — and on guitar it fits four adjacent strings.

Where does Gm△7 appear?

Gm△7 is a minor tonic with a raised seventh — the melodic-minor tonic. Its character is noir, cinematic.

Keep going

Minor-major 7th voicings in every other key.

Same chord on piano · Minor-major 7th hub.

Other chords from G