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Voicings · C△7 · Guitar

C△7 voicings on guitar

C△7 is spelled C – E – G – B (1 3 5 7) — the tonic Imaj7 of a major key, and any maj7 chord. Here are 5 ways to voice it on guitar: drop 2, drop 3, shell, rootless a, rootless b. Every diagram is playable — press play to hear the chord, or “roll it” to hear the voices one by one, low to high.

The voicings

5 ways to play C△7.

Sound
Root in gold, other voices in teal. Tap any note.

Drop 2

G · C · E · B
2fr××B7E3C1G5

Take the close voicing and drop its second-highest voice an octave. The most-used four-note voicing on guitar and in piano left hands. Strings E-A-D-G, frets 3-3-2-4.

Drop 3

E · C · G · B
5frB7G5C1×E3×

Drop the third-highest voice of the close voicing an octave: a wide, open sound. Strings A-G-B-e, frets 7-5-8-7 (position 4).

Shell (1–7–3)

C · B · E
3fr×E3B7×C1×

Root, seventh and third only. The fifth is dropped — it adds nothing to the chord's identity — leaving a light, clear voicing. Strings A-G-B, frets 3-4-5 (position 1).

Rootless A (3–5–7–9)

E · G · B · D
3fr×D9B7G5E3×

Bill Evans-style left-hand voicing: the third on the bottom, the ninth on top, the bass player supplies the root. Strings A-D-G-B, frets 7-5-4-3 (position 3).

Rootless B (7–9–3–5)

B · D · E · G
3frG5E3××D9B7

The companion rootless voicing with the seventh on the bottom. Alternate A and B so the top voice moves by step through a ii–V–I. Strings E-A-B-e, frets 7-5-5-3 (position 3).

Your next 10 minutes

Make C Major 7th part of your playing

Listen → play → apply
01

Build the sound

Play C – E – G – B individually, then choose a shell voicing above. Sing the highest note before playing the chord.

02

Change the top note

Compare the displayed voicings of C△7. Notice which note is highest in each. Repeat the two shapes with the smallest comfortable hand movement, leaving a beat of silence between them.

03

Comp with space

Play C△7 on beats 2 and 4 at 60 bpm for four bars, then on the “and” of beat 2 for four bars. Keep the same notes while changing the rhythm. Mute unused strings and test each fretted note for buzz.

Listen for this: The chord tones are C, E, G, B. the tonic Imaj7 of a major key, and any maj7 chord. A fuller voicing is not automatically better: leave room for the melody and bass.

Understand the sound

C△7: from a pattern to a musical choice

What gives C△7 its identity?

Compare the major seventh with the root. Their half-step proximity is especially exposed when placed next to each other; change the register to soften it.

Here the third is E, and degree 7 is B. Play C in the bass and compare these voices individually before combining them.

Choose a useful voicing

Start with the smallest displayed shape you can play cleanly. Move its highest note into a comfortable register and listen for a clear melody above the chord.

Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.

Your guitar checkpoint

Start with C on string 6, fret 8. The next note E is on string 6, fret 12. Name both notes aloud before playing, then find the same two pitches in another octave.

Before moving on, close the diagram and name the notes: C · E · G · B. Then play a two-bar phrase from memory and leave two bars of silence.

Behind the voicings

Every C△7 chord tone on the fretboard.

C△7 arpeggio (C E G B) on a guitar fretboard: every C in gold, the other chord tones outlined in amber
All the notes the voicings above are built from — the C△7 arpeggio page plays them.

Reference

C△7 — chord tones & function.

Chord toneNoteInterval
1Cunison
3Emajor 3rd
5Gperfect 5th
7Bmajor 7th

Take it to the bandstand.Practice Radio streams endless changes to comp C△7 through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

C△7 voicings FAQ.

What notes are in C△7?

C, E, G, B — chord tones 1 3 5 7. Rootless voicings add the 9th, D, and leave the root to the bass.

What is the easiest C△7 voicing on guitar?

The shell voicing (root, seventh, third) on strings A, G, B: three notes, one comfortable shape, and it still sounds unmistakably like C△7.

What is a drop-2 voicing?

Start from the close voicing C E G B and drop the second note from the top an octave: G – C – E – B. It spreads the chord so it fits the hand — and on guitar it fits four adjacent strings.

Where does C△7 appear?

C△7 is the tonic Imaj7 of a major key, and any maj7 chord. Its character is bright, settled, at rest.

Keep going

Major 7th voicings in every other key.

Same chord on piano · Major 7th hub.

Other chords from C