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Voicings · A△7 · Guitar

A△7 voicings on guitar

A△7 is spelled A – C♯ – E – G♯ (1 3 5 7) — the tonic Imaj7 of a major key, and any maj7 chord. Here are 5 ways to voice it on guitar: drop 2, drop 3, shell, rootless a, rootless b. Every diagram is playable — press play to hear the chord, or “roll it” to hear the voices one by one, low to high.

The voicings

5 ways to play A△7.

Sound
Root in gold, other voices in teal. Tap any note.

Drop 2

E · A · C♯ · G♯
2frG♯7C♯3A1E5××

Take the close voicing and drop its second-highest voice an octave. The most-used four-note voicing on guitar and in piano left hands. Strings D-G-B-e, frets 2-2-2-4.

Drop 3

C♯ · A · E · G♯
2frG♯7E5A1×C♯3×

Drop the third-highest voice of the close voicing an octave: a wide, open sound. Strings A-G-B-e, frets 4-2-5-4 (position 1).

Shell (1–7–3)

A · G♯ · C♯
5fr××C♯3G♯7×A1

Root, seventh and third only. The fifth is dropped — it adds nothing to the chord's identity — leaving a light, clear voicing. Strings E-D-G, frets 5-6-6 (position 2).

Rootless A (3–5–7–9)

C♯ · E · G♯ · B
7frB9G♯7××E5C♯3

Bill Evans-style left-hand voicing: the third on the bottom, the ninth on top, the bass player supplies the root. Strings E-A-B-e, frets 9-7-9-7 (position 5).

Rootless B (7–9–3–5)

G♯ · B · C♯ · E
2fr×E5C♯3×B9G♯7

The companion rootless voicing with the seventh on the bottom. Alternate A and B so the top voice moves by step through a ii–V–I. Strings E-A-G-B, frets 4-2-6-5 (position 2).

Your next 10 minutes

Make A Major 7th part of your playing

Listen → play → apply
01

Build the sound

Play A – C♯ – E – G♯ individually, then choose a shell voicing above. Sing the highest note before playing the chord.

02

Change the top note

Compare the displayed voicings of A△7. Notice which note is highest in each. Repeat the two shapes with the smallest comfortable hand movement, leaving a beat of silence between them.

03

Comp with space

Play A△7 on beats 2 and 4 at 60 bpm for four bars, then on the “and” of beat 2 for four bars. Keep the same notes while changing the rhythm. Mute unused strings and test each fretted note for buzz.

Listen for this: The chord tones are A, C♯, E, G♯. the tonic Imaj7 of a major key, and any maj7 chord. A fuller voicing is not automatically better: leave room for the melody and bass.

Understand the sound

A△7: from a pattern to a musical choice

What gives A△7 its identity?

Compare the major seventh with the root. Their half-step proximity is especially exposed when placed next to each other; change the register to soften it.

Here the third is C♯, and degree 7 is G♯. Play A in the bass and compare these voices individually before combining them.

Choose a useful voicing

Start with the smallest displayed shape you can play cleanly. Move its highest note into a comfortable register and listen for a clear melody above the chord.

Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.

Your guitar checkpoint

Start with A on string 6, fret 5. The next note C♯ is on string 6, fret 9. Name both notes aloud before playing, then find the same two pitches in another octave.

Before moving on, close the diagram and name the notes: A · C♯ · E · G♯. Then play a two-bar phrase from memory and leave two bars of silence.

Behind the voicings

Every A△7 chord tone on the fretboard.

A△7 arpeggio (A C♯ E G♯) on a guitar fretboard: every A in gold, the other chord tones outlined in amber
All the notes the voicings above are built from — the A△7 arpeggio page plays them.

Reference

A△7 — chord tones & function.

Chord toneNoteInterval
1Aunison
3C♯major 3rd
5Eperfect 5th
7G♯major 7th

Take it to the bandstand.Practice Radio streams endless changes to comp A△7 through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

A△7 voicings FAQ.

What notes are in A△7?

A, C♯, E, G♯ — chord tones 1 3 5 7. Rootless voicings add the 9th, B, and leave the root to the bass.

What is the easiest A△7 voicing on guitar?

The shell voicing (root, seventh, third) on strings E, D, G: three notes, one comfortable shape, and it still sounds unmistakably like A△7.

What is a drop-2 voicing?

Start from the close voicing A C♯ E G♯ and drop the second note from the top an octave: E – A – C♯ – G♯. It spreads the chord so it fits the hand — and on guitar it fits four adjacent strings.

Where does A△7 appear?

A△7 is the tonic Imaj7 of a major key, and any maj7 chord. Its character is bright, settled, at rest.

Keep going

Major 7th voicings in every other key.

Same chord on piano · Major 7th hub.

Other chords from A