HomeChord voicingsMajor 7thB · Guitar

Voicings · B△7 · Guitar

B△7 voicings on guitar

B△7 is spelled B – D♯ – F♯ – A♯ (1 3 5 7) — the tonic Imaj7 of a major key, and any maj7 chord. Here are 5 ways to voice it on guitar: drop 2, drop 3, shell, rootless a, rootless b. Every diagram is playable — press play to hear the chord, or “roll it” to hear the voices one by one, low to high.

The voicings

5 ways to play B△7.

Sound
Root in gold, other voices in teal. Tap any note.

Drop 2

F♯ · B · D♯ · A♯
××A♯7D♯3B1F♯5

Take the close voicing and drop its second-highest voice an octave. The most-used four-note voicing on guitar and in piano left hands. Strings E-A-D-G, frets 2-2-1-3.

Drop 3

D♯ · B · F♯ · A♯
4frA♯7F♯5B1×D♯3×

Drop the third-highest voice of the close voicing an octave: a wide, open sound. Strings A-G-B-e, frets 6-4-7-6 (position 3).

Shell (1–7–3)

B · A♯ · D♯
2fr×D♯3A♯7×B1×

Root, seventh and third only. The fifth is dropped — it adds nothing to the chord's identity — leaving a light, clear voicing. Strings A-G-B, frets 2-3-4.

Rootless A (3–5–7–9)

D♯ · F♯ · A♯ · C♯
2fr×C♯9A♯7F♯5D♯3×

Bill Evans-style left-hand voicing: the third on the bottom, the ninth on top, the bass player supplies the root. Strings A-D-G-B, frets 6-4-3-2 (position 2).

Rootless B (7–9–3–5)

A♯ · C♯ · D♯ · F♯
2frF♯5D♯3××C♯9A♯7

The companion rootless voicing with the seventh on the bottom. Alternate A and B so the top voice moves by step through a ii–V–I. Strings E-A-B-e, frets 6-4-4-2 (position 2).

Your next 10 minutes

Make B Major 7th part of your playing

Listen → play → apply
01

Build the sound

Play B – D♯ – F♯ – A♯ individually, then choose a shell voicing above. Sing the highest note before playing the chord.

02

Change the top note

Compare the displayed voicings of B△7. Notice which note is highest in each. Repeat the two shapes with the smallest comfortable hand movement, leaving a beat of silence between them.

03

Comp with space

Play B△7 on beats 2 and 4 at 60 bpm for four bars, then on the “and” of beat 2 for four bars. Keep the same notes while changing the rhythm. Mute unused strings and test each fretted note for buzz.

Listen for this: The chord tones are B, D♯, F♯, A♯. the tonic Imaj7 of a major key, and any maj7 chord. A fuller voicing is not automatically better: leave room for the melody and bass.

Understand the sound

B△7: from a pattern to a musical choice

What gives B△7 its identity?

Compare the major seventh with the root. Their half-step proximity is especially exposed when placed next to each other; change the register to soften it.

Here the third is D♯, and degree 7 is A♯. Play B in the bass and compare these voices individually before combining them.

Choose a useful voicing

Start with the smallest displayed shape you can play cleanly. Move its highest note into a comfortable register and listen for a clear melody above the chord.

Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.

Your guitar checkpoint

Start with B on string 6, fret 7. The next note D♯ is on string 6, fret 11. Name both notes aloud before playing, then find the same two pitches in another octave.

Before moving on, close the diagram and name the notes: B · D♯ · F♯ · A♯. Then play a two-bar phrase from memory and leave two bars of silence.

Behind the voicings

Every B△7 chord tone on the fretboard.

B△7 arpeggio (B D♯ F♯ A♯) on a guitar fretboard: every B in gold, the other chord tones outlined in amber
All the notes the voicings above are built from — the B△7 arpeggio page plays them.

Reference

B△7 — chord tones & function.

Chord toneNoteInterval
1Bunison
3D♯major 3rd
5F♯perfect 5th
7A♯major 7th

Take it to the bandstand.Practice Radio streams endless changes to comp B△7 through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

B△7 voicings FAQ.

What notes are in B△7?

B, D♯, F♯, A♯ — chord tones 1 3 5 7. Rootless voicings add the 9th, C♯, and leave the root to the bass.

What is the easiest B△7 voicing on guitar?

The shell voicing (root, seventh, third) on strings A, G, B: three notes, one comfortable shape, and it still sounds unmistakably like B△7.

What is a drop-2 voicing?

Start from the close voicing B D♯ F♯ A♯ and drop the second note from the top an octave: F♯ – B – D♯ – A♯. It spreads the chord so it fits the hand — and on guitar it fits four adjacent strings.

Where does B△7 appear?

B△7 is the tonic Imaj7 of a major key, and any maj7 chord. Its character is bright, settled, at rest.

Keep going

Major 7th voicings in every other key.

Same chord on piano · Major 7th hub.

Other chords from B