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Arpeggio · B9 · Piano

B9 arpeggio on piano

The B9 arpeggio is B – D♯ – F♯ – A – C♯ — chord tones 1 3 5 ♭7 9. B9 is a fuller V chord; the 9th sits on top of the dominant seventh; its sound is rich, bluesy. Below, every B, D♯, F♯, A, C♯ on the two-octave keyboard is marked, with the root in gold. Press play to hear a one-octave arpeggio, or tap any note.

Visualizer

B9 on the keyboard.

Piano

C♯D♯F♯C♯D♯F♯ABAB
RootChord toneBeing played
Tempo100 bpm
Show
Sound

Play loops the arpeggio up and down one octave (switch Loop off for a single pass). Tap any marked note to hear it. “Show” switches or combines the fretboard and keyboard; “Sound” picks the instrument you hear. Audio is synthesized in the browser.

Your next 10 minutes

Make B Dominant 9th part of your playing

Listen → play → apply
01

Map it slowly

Locate B, A on white keys and D♯, F♯, C♯ on black keys. Try each hand separately before playing together; choose a fingering that keeps the wrist relaxed, without stretching between notes.

02

Make a short phrase

Play B – D♯ – F♯ – A – C♯ in quarter notes at 60 bpm. Repeat starting from D♯, wrapping back to B. Do not speed up until every attack is even.

03

Hear it in context

Alternate D♯ and A above a sustained B. These are degree 3 and ♭7. End a four-bar phrase on either one instead of always returning to the root.

Listen for this: B9 has the colour “rich, bluesy”. Name the degrees as you play, so you can recognize the sound in another key rather than remembering only a shape.

Understand the sound

B9: from a pattern to a musical choice

What gives B9 its identity?

A ninth extends the dominant seventh; it does not replace the third or seventh. Start with those guide tones, then add the ninth above them.

Here the third is D♯, and degree ♭7 is A. Play B in the bass and compare these voices individually before combining them.

Turn the arpeggio into a melody

Try D♯ – F♯ – A – B as quarter notes, then repeat the first note and omit the last. The second phrase uses the same harmony with a different shape.

Separate the bass from the upper notes. If the low register sounds muddy, move the upper voices up an octave before adding more notes.

Your piano checkpoint

The black-key pitches in this collection are D♯, F♯, C♯. Use the groups of two and three black keys to orient yourself. Play B and D♯ with each hand separately before combining the hands.

Before moving on, close the diagram and name the notes: B · D♯ · F♯ · A · C♯. Then play a two-bar phrase from memory and leave two bars of silence.

On guitar

B9 on the fretboard.

B9 arpeggio (B D♯ F♯ A C♯) on a guitar fretboard: every B in gold, the other chord tones outlined in amber
The same arpeggio on guitar — open that page to hear it.

Reference

B9 — chord tones & intervals.

Chord toneNoteInterval from B
1Bunison (0 semitones)
3D♯major 3rd (4 semitones)
5F♯perfect 5th (7 semitones)
♭7Aminor 7th (10 semitones)
9C♯major 9th (14 semitones)

Goes with: B Mixolydian (B C♯ D♯ E F♯ G♯ A). Voicings: see the four-note chord voicings in the chord library.

Take it to the bandstand.Practice Radio streams endless changes to play the B9 arpeggio over through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

B9 arpeggio FAQ.

What notes are in a B9 arpeggio?

B – D♯ – F♯ – A – C♯. As chord tones: 1 3 5 ♭7 9. Played one after another instead of together, that is the arpeggio.

What is a B9 chord used for?

B9 is a fuller V chord; the 9th sits on top of the dominant seventh. Its character is rich, bluesy.

Which scale goes with B9?

B Mixolydian (B C♯ D♯ E F♯ G♯ A) — the arpeggio is the skeleton of that scale, so practise them together.

How do I practise the B9 arpeggio on piano?

Play B – D♯ – F♯ – A – C♯ ascending from B, then descend; then start from each chord tone in turn (inversions) so your hand knows the shape from any note.

Keep going

Dominant 9th arpeggio in every other key.

Same arpeggio on guitar · Dominant 9th hub · chord-scale theory.

Other arpeggios from B