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Arpeggio · A7 · Guitar

A7 arpeggio on guitar

The A7 arpeggio is A – C♯ – E – G — chord tones 1 3 5 ♭7. A7 is the V chord — the engine of every cadence, and every bar of a blues; its sound is tense, pulling toward its resolution. Below, every A, C♯, E, G on the fretboard is marked, with the root in gold. Press play to hear a one-octave arpeggio, or tap any note.

Visualizer

A7 on the fretboard.

Guitar · standard tuning

eBGDAE123456789101112EGAC♯EC♯EGAGAC♯EGEGAC♯AC♯EGAEGAC♯E
RootChord toneBeing played
Tempo100 bpm
Show
Sound

Play loops the arpeggio up and down one octave (switch Loop off for a single pass) in the position starting at fret 5. Tap any marked note to hear it. “Show” switches or combines the fretboard and keyboard; “Sound” picks the instrument you hear. Audio is synthesized in the browser.

Your next 10 minutes

Make A Dominant 7th part of your playing

Listen → play → apply
01

Map it slowly

Find A on string 6 at fret 5. Play string 6, fret 5; string 6, fret 9; string 5, fret 7; string 4, fret 5; string 4, fret 7. Use a relaxed position and release pressure between repetitions. String 1 is high E.

02

Make a short phrase

Play A – C♯ – E – G in quarter notes at 60 bpm. Repeat starting from C♯, wrapping back to A. Do not speed up until every attack is even.

03

Hear it in context

Alternate C♯ and G above a sustained A. These are degree 3 and ♭7. End a four-bar phrase on either one instead of always returning to the root.

Listen for this: A7 has the colour “tense, pulling toward its resolution”. Name the degrees as you play, so you can recognize the sound in another key rather than remembering only a shape.

Understand the sound

A7: from a pattern to a musical choice

What gives A7 its identity?

The third and flat seventh form a tritone. Hear those two notes first, then hear how they move when the dominant resolves.

Here the third is C♯, and degree ♭7 is G. Play A in the bass and compare these voices individually before combining them.

Turn the arpeggio into a melody

Try C♯ – E – G – A as quarter notes, then repeat the first note and omit the last. The second phrase uses the same harmony with a different shape.

Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.

Your guitar checkpoint

Start with A on string 6, fret 5. The next note C♯ is on string 6, fret 9. Name both notes aloud before playing, then find the same two pitches in another octave.

Before moving on, close the diagram and name the notes: A · C♯ · E · G. Then play a two-bar phrase from memory and leave two bars of silence.

On piano

A7 on the keyboard.

A7 arpeggio (A C♯ E G) on a piano keyboard: every A in gold, the other chord tones outlined in amber
The same arpeggio on piano — open that page to hear it.

Reference

A7 — chord tones & intervals.

Chord toneNoteInterval from A
1Aunison (0 semitones)
3C♯major 3rd (4 semitones)
5Eperfect 5th (7 semitones)
♭7Gminor 7th (10 semitones)

Goes with: A Mixolydian (A B C♯ D E F♯ G). Voicings: A7 voicings on guitar.

Take it to the bandstand.Practice Radio streams endless changes to play the A7 arpeggio over through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

A7 arpeggio FAQ.

What notes are in a A7 arpeggio?

A – C♯ – E – G. As chord tones: 1 3 5 ♭7. Played one after another instead of together, that is the arpeggio.

What is a A7 chord used for?

A7 is the V chord — the engine of every cadence, and every bar of a blues. Its character is tense, pulling toward its resolution.

Which scale goes with A7?

A Mixolydian (A B C♯ D E F♯ G) — the arpeggio is the skeleton of that scale, so practise them together.

How do I practise the A7 arpeggio on guitar?

Start on the root A on the low E string at fret 5 and play E-string fret 5, E-string fret 9, A-string fret 7, D-string fret 5, D-string fret 7. Then play it descending, then in eighth notes with a metronome, then use it in a short phrase over a suitable chord.

Keep going

Dominant 7th arpeggio in every other key.

Same arpeggio on piano · Dominant 7th hub · chord-scale theory.

Other arpeggios from A