Map it slowly
Locate F, A, C, E, G on white keys. Try each hand separately before playing together; choose a fingering that keeps the wrist relaxed, without stretching between notes.
Arpeggio · F△9 · Piano
The F△9 arpeggio is F – A – C – E – G — chord tones 1 3 5 7 9. F△9 is a lush tonic chord in ballads; its sound is wide, luminous. Below, every F, A, C, E, G on the two-octave keyboard is marked, with the root in gold. Press play to hear a one-octave arpeggio, or tap any note.
Visualizer
Piano
Guitar · standard tuning
Play loops the arpeggio up and down one octave (switch Loop off for a single pass). Tap any marked note to hear it. “Show” switches or combines the fretboard and keyboard; “Sound” picks the instrument you hear. Audio is synthesized in the browser.
Your next 10 minutes
Locate F, A, C, E, G on white keys. Try each hand separately before playing together; choose a fingering that keeps the wrist relaxed, without stretching between notes.
Play F – A – C – E – G in quarter notes at 60 bpm. Repeat starting from A, wrapping back to F. Do not speed up until every attack is even.
Alternate A and E above a sustained F. These are degree 3 and 7. End a four-bar phrase on either one instead of always returning to the root.
Listen for this: F△9 has the colour “wide, luminous”. Name the degrees as you play, so you can recognize the sound in another key rather than remembering only a shape.
Understand the sound
The ninth adds colour above a major-seventh foundation. Separate the upper voice from the bass and compare close and open spacing.
Here the third is A, and degree 7 is E. Play F in the bass and compare these voices individually before combining them.
Try A – C – E – F as quarter notes, then repeat the first note and omit the last. The second phrase uses the same harmony with a different shape.
Separate the bass from the upper notes. If the low register sounds muddy, move the upper voices up an octave before adding more notes.
The black-key pitches in this collection are none. Use the groups of two and three black keys to orient yourself. Play F and A with each hand separately before combining the hands.
Before moving on, close the diagram and name the notes: F · A · C · E · G. Then play a two-bar phrase from memory and leave two bars of silence.
On guitar
Reference
| Chord tone | Note | Interval from F |
|---|---|---|
| 1 | F | unison (0 semitones) |
| 3 | A | major 3rd (4 semitones) |
| 5 | C | perfect 5th (7 semitones) |
| 7 | E | major 7th (11 semitones) |
| 9 | G | major 9th (14 semitones) |
Goes with: F Major (Ionian) (F G A B♭ C D E). Voicings: see the four-note chord voicings in the chord library.
Take it to the bandstand.Practice Radio streams endless changes to play the F△9 arpeggio over through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.
▶ Open Practice RadioCommon questions
F – A – C – E – G. As chord tones: 1 3 5 7 9. Played one after another instead of together, that is the arpeggio.
F△9 is a lush tonic chord in ballads. Its character is wide, luminous.
F Major (F G A B♭ C D E) — the arpeggio is the skeleton of that scale, so practise them together.
Play F – A – C – E – G ascending from F, then descend; then start from each chord tone in turn (inversions) so your hand knows the shape from any note.
Keep going
Same arpeggio on guitar · Major 9th hub · chord-scale theory.
Other arpeggios from F