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Voicings · E♭7 · Guitar

E♭7 voicings on guitar

E♭7 is spelled E♭ – G – B♭ – D♭ (1 3 5 ♭7) — the V chord — the engine of every cadence, and every bar of a blues. Here are 5 ways to voice it on guitar: drop 2, drop 3, shell, rootless a, rootless b. Every diagram is playable — press play to hear the chord, or “roll it” to hear the voices one by one, low to high.

The voicings

5 ways to play E♭7.

Sound
Root in gold, other voices in teal. Tap any note.

Drop 2

B♭ · E♭ · G · D♭
5fr××D♭7G3E♭1B♭5

Take the close voicing and drop its second-highest voice an octave. The most-used four-note voicing on guitar and in piano left hands. Strings E-A-D-G, frets 6-6-5-6 (position 2).

Drop 3

G · E♭ · B♭ · D♭
×D♭7B♭5E♭1×G3

Drop the third-highest voice of the close voicing an octave: a wide, open sound. Strings E-D-G-B, frets 3-1-3-2.

Shell (1–7–3)

E♭ · D♭ · G
G3D♭7×E♭1××

Root, seventh and third only. The fifth is dropped — it adds nothing to the chord's identity — leaving a light, clear voicing. Strings D-B-e, frets 1-2-3.

Rootless A (3–5–7–9)

G · B♭ · D♭ · F
F9D♭7××B♭5G3

Bill Evans-style left-hand voicing: the third on the bottom, the ninth on top, the bass player supplies the root. Strings E-A-B-e, frets 3-1-2-1.

Rootless B (7–9–3–5)

D♭ · F · G · B♭
6frB♭5G3××F9D♭7

The companion rootless voicing with the seventh on the bottom. Alternate A and B so the top voice moves by step through a ii–V–I. Strings E-A-B-e, frets 9-8-8-6 (position 5).

Your next 10 minutes

Make E♭ Dominant 7th part of your playing

Listen → play → apply
01

Build the sound

Play E♭ – G – B♭ – D♭ individually, then choose a shell voicing above. Sing the highest note before playing the chord.

02

Change the top note

Compare the displayed voicings of E♭7. Notice which note is highest in each. Repeat the two shapes with the smallest comfortable hand movement, leaving a beat of silence between them.

03

Comp with space

Play E♭7 on beats 2 and 4 at 60 bpm for four bars, then on the “and” of beat 2 for four bars. Keep the same notes while changing the rhythm. Mute unused strings and test each fretted note for buzz.

Listen for this: The chord tones are E♭, G, B♭, D♭. the V chord — the engine of every cadence, and every bar of a blues. A fuller voicing is not automatically better: leave room for the melody and bass.

Understand the sound

E♭7: from a pattern to a musical choice

What gives E♭7 its identity?

The third and flat seventh form a tritone. Hear those two notes first, then hear how they move when the dominant resolves.

Here the third is G, and degree ♭7 is D♭. Play E♭ in the bass and compare these voices individually before combining them.

Choose a useful voicing

Start with the smallest displayed shape you can play cleanly. Move its highest note into a comfortable register and listen for a clear melody above the chord.

Sound the strings separately before playing them together. If a note is muted, adjust the finger angle instead of squeezing harder.

Your guitar checkpoint

Start with E♭ on string 5, fret 6. The next note G is on string 5, fret 10. Name both notes aloud before playing, then find the same two pitches in another octave.

Before moving on, close the diagram and name the notes: E♭ · G · B♭ · D♭. Then play a two-bar phrase from memory and leave two bars of silence.

Behind the voicings

Every E♭7 chord tone on the fretboard.

E♭7 arpeggio (E♭ G B♭ D♭) on a guitar fretboard: every E♭ in gold, the other chord tones outlined in amber
All the notes the voicings above are built from — the E♭7 arpeggio page plays them.

Reference

E♭7 — chord tones & function.

Chord toneNoteInterval
1E♭unison
3Gmajor 3rd
5B♭perfect 5th
♭7D♭minor 7th

Take it to the bandstand.Practice Radio streams endless changes to comp E♭7 through all twelve keys, with the chord and scale shown live — plus ear-training and call & response modes.

▶ Open Practice Radio

Common questions

E♭7 voicings FAQ.

What notes are in E♭7?

E♭, G, B♭, D♭ — chord tones 1 3 5 ♭7. Rootless voicings add the 9th, F, and leave the root to the bass.

What is the easiest E♭7 voicing on guitar?

The shell voicing (root, seventh, third) on strings D, B, e: three notes, one comfortable shape, and it still sounds unmistakably like E♭7.

What is a drop-2 voicing?

Start from the close voicing E♭ G B♭ D♭ and drop the second note from the top an octave: B♭ – E♭ – G – D♭. It spreads the chord so it fits the hand — and on guitar it fits four adjacent strings.

Where does E♭7 appear?

E♭7 is the V chord — the engine of every cadence, and every bar of a blues. Its character is tense, pulling toward its resolution.

Keep going

Dominant 7th voicings in every other key.

Same chord on piano · Dominant 7th hub.

Other chords from E♭