Voicings · B°7 · Piano
B°7 is spelled B – D – F – A♭ (1 ♭3 ♭5 ?) — passing chords between diatonic chords, and as a 7♭9 without its root. Here are 4 ways to voice it on piano: close position, drop 2, drop 3, shell. Every diagram is playable — press play to hear the chord, or “roll it” to hear the voices one by one, low to high.
The voicings
Root, third, fifth and seventh stacked within one octave — the reference voicing (piano; too tight to finger on guitar).
Take the close voicing and drop its second-highest voice an octave. The most-used four-note voicing on guitar and in piano left hands.
Drop the third-highest voice of the close voicing an octave: a wide, open sound.
Root, seventh and third only. The fifth is dropped — it adds nothing to the chord's identity — leaving a light, clear voicing.
Reference
| Chord tone | Note | Interval |
|---|---|---|
| 1 | B | unison |
| ♭3 | D | minor 3rd |
| ♭5 | F | tritone |
| ? | A♭ | major 6th |
Arpeggio: B°7 arpeggio on piano. Scale: B Diminished (whole–half).
Common questions
B, D, F, A♭ — chord tones 1 ♭3 ♭5 ?.
The shell voicing: B – A♭ – D in the left hand. Three notes that carry the whole identity of the chord.
Start from the close voicing B D F A♭ and drop the second note from the top an octave: F – B – D – A♭. It spreads the chord so it fits the hand — and on guitar it fits four adjacent strings.
B°7 is passing chords between diatonic chords, and as a 7♭9 without its root. Its character is symmetrical, restless.
Keep going
Same chord on guitar · Diminished 7th hub.
Other chords from B